Crabbing at Night

Crab in sky
DepositPhotos.com

 

This week my son turns 21. In this part of July, that makes him a Cancer, one of the summer signs of the Zodiac. I have always thought of Cancer as a less than perfect name for a star sign, given its somber medical meaning. But the word Cancer is Latin for crab, and the constellation of the Cancer is meant to represent a mythical crustacean that was cast up into the heavens after Hercules smashed it with a club.

Cancer is one of the fainter constellations in the night sky, even if in myth the mighty crab was formidable. In the rural area where I live, I am fortunate to be able to see a fair number of constellations and the stars that make up their structures.

As a budding astronomer with a new (used) reflector telescope, my son has shown me Taurus and Cassiopeia and Orion and other residents of the winter sky, but we haven’t done much stargazing so far this summer. The nights have been either cloudy or saturated with moonlight, except for a rare few that were clear.

He did locate Cancer, but it was the treasure that lies adjacent to it that he was seeking: the Beehive cluster, an intense concentration of stars that looks like a wisp of a cloud (in a dark sky). I was impressed.

Despite its dimness in the heavens, Cancer holds a prominent place in terrestrial geography. About 3,000 years ago, according to EarthSky.org, the sun was in Cancer at the summer solstice. (It’s now in Taurus; the Milky Way has been on the move.) To mark that northern journey of the sun, the line that marks the turning point, when the sun direct rays turn back south, is called the Tropic of … Cancer.

A common misunderstanding – and I am guilty of this – is that because Cancer is a summer Zodiac sign, the constellation should be visible now. It is not. The sun shines in front of Cancer and Leo during the summer, but in six months or so, they will be rising in the night sky. Gemini, Cancer, and Leo are winter constellations.

I will have to wait for chilly weather to see the Beehive again.

Carried away

War, sang Edwin Starr all those years ago, what is it good for? The song’s answer: Absolutely nothing. And Tim O’Brien’s The Things They Carried makes that absolutely clear. How I missed O’Brien’s book for so long – he wrote it in 1990 – I don’t know, but it is astonishing.

In many cases a true war story cannot be believed. …
Often the crazy stuff is true and the normal stuff isn’t,
because the normal stuff is necessary to make you believe
the truly incredible craziness.

The crystal clear images continue to reverberate days after I finished the last page. The young VC he killed. The pieces of a fellow soldier he had to remove from a tree after a land mine exploded. The death of his best buddy in a field of human waste. Chapter after chapter, incident after incident, O’Brien drew me – a person who has never been closer to battle than riding on a training flight with a KC-135 refueling plane – into the paddies and jungle paths of Vietnam. I was there with him as he tried to stay calm on a pitch-black patrol shift or waited impatiently for the medic to treat him after he was shot in the buttocks. Today’s soldiers are all volunteers, people who choose to enlist. O’Brien almost left for Canada when he got his draft notice – he fled north to within a canoe ride from the border – but ultimately he obeyed the summons from Uncle Sam, then spent the next 20 years trying to exorcise the painful memories by writing about them.

Purely by chance, two days after I finished O’Brien’s book I saw the film The Beautiful Country, which begins in Vietnam. It is a postwar tale about a young Vietnamese man’s quest to find his father, who had been an American soldier stationed there. I marveled at the contrast between the grim reality of the war depicted in O’Brien’s book and the serene beauty of the land itself. Binh’s mixed-race background makes him a pariah in his home country, but the journey he sets out on seems one he can’t possibly complete.

Movement of thought

Welcome to my blog! I launch it with a poem by the Polish poet Zbigniew Herbert: Mr. Cogito and the Movement of Thought.

Thoughts cross the mind
a common idiom has it

the common idiom
overestimates thoughts’ mobility

a majority of them
stand motionless
in a dull landscape
of dull hillocks
and withered trees

sometimes they reach
the rushing water of someone else’s thoughts
they stand on the bank
on one leg
like hungry herons

mournfully
they recall dried-up springs

they circle around
looking for grains

they don’t cross
because they won’t get anywhere
they don’t cross
because there’s nowhere to get to

they sit on the rocks
wringing their hands

under the low
overcast
firmament
of the skull